Author Archives: Green Day Mind

About Green Day Mind

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Writer, blogger, archivist, not a mom. Three cats. Used to go to a lot of punk shows.

See the Light: My Year of Green Day and Genocide

I really hope that when Green Day puts out their next album, whenever that may be, that they and we can go back to “happier” times and lyrics, singing at breakneck speed about burning out, growing old, obsessive love, masturbation and pot… but… we’ll see.
-greendaymind

Why Green Day?

I’ve gotten the question of “Why Green Day?” so many times this year that I thought I should finally explain myself. My friends are a bit astounded at me for following Green Day intensely this year. They knew I was a fan but never knew how much of one I’d become. All I can really say is that it’s been one of those years and Green Day has gotten me through a rough season.

Green Day recently celebrated their 21st year together, but I’m a relatively new fan (read about that here, if you care) from the American Idiot era. It’s well-known among hardcore fans that their lyrics have spoken to fans for two decades now, but for me, this year has been the second time (during the latter Bush Administration being the first) in which Green Day helped me through a bad political and social time.

2005

Do You Know This Man?

Raphael Lemkin, Father of the Genocide Convention

Five years ago, I worked as an archivist at the American Jewish Historical Society. At the Society, we have a collection of archival materials written by a man of the name, Raphael Lemkin. Never heard of him? Don’t worry, you are not the only one. He coined the word genocide (Greek word genos, meaning tribe, and the Latin word cide, meaning to kill) in 1943/44 and was the first person to systematically write about a human condition which pops up more than we would like: the intent to destroy specific groups of humans by other groups of humans. There had been no word for this crime prior to this time, but there had been plenty of genocidal incidents before World War II (primary case in point: Armenia, 1915-1917).

Lemkin single-handedly pushed a major treaty through the United Nations in 1948, a document that he felt would be the beginning of the end of this disease that occasionally afflicts humans now named genocide, the United Nations Convention for the Prevention and Punishment of Genocide. Boy, was he wrong, but at least he tried. (Ok, he wasn’t wrong about the concept, just wrong that humans would do something about it if there was a law, a treaty, a will, a way…)

I was assigned to archive his papers and afterward, I wrote a journal article on Lemkin’s collections which was published in a jaunty-sounding journal called the Journal of Genocide Research. The paper (LINK HERE IF YOU CARE) has since been used by genocide scholars around the world to access Lemkin’s papers for their own historical and future research into the worst of human traits: the ability for one group of people to lose their collective minds and kill other groups of people who aren’t like them.

This Year

This past June 7-10, I was asked to present a paper at another jaunty-sounding event, the International Association of Genocide Scholars, held in Washington, D.C. The conference itself consisted of scholars with one goal in mind: presenting papers on this most heinous problem of mankind from numerous countries and perspectives, but primarily the social, economic and human toil that genocide inflicts on humankind.

I didn’t want to do it. I’m not a scholar, just someone who has the ability to put one and one together and present facts with some conclusions. But my previous paper had made such a big impact on the community of scholars that I had no choice but to present. I had to drag myself kicking and screaming to do my research and write the paper. I was my own worst enemy when it came to putting my thoughts on paper, it was ridiculous. And Green Day came to my rescue with the song, “Know Your Enemy.”

Do you know the enemy?
Do you know your enemy?
Well gotta know the enemy right here
Well gotta know the enemy right here

Silence is an enemy against your insurgency so rally up the demons of your soul.

I listened to KYE probably 100 times to help get over myself and plow through the research and writing. My topic was on a group of African-Americans, who just happened to be Communists, that accused the United States government of genocide toward blacks in America. The group published a petition in 1951 by the name of “We Charge Genocide” at the start of the Cold War and against the backdrop of the intense ideological struggles of the time between the U.S. and the Soviet Union. The petition was also one of the many precursors of the Civil Rights movement and caused quite a stir in the FBI and State Department.

The group’s premise was that in America, blacks had been terrorized and murdered under the willing eye of law enforcement and as such, were being destroyed as a group. Their accusations didn’t quite fit under the covenants of the actual Convention, but when you are trying to make a point, you can fit your argument into almost anything.

By the time I hit D.C., I was physically and mentally drained. I stayed at a friend’s house in D.C. for a night, which was nice, and headed off the next day for 2.5 days of non-stop genocide talk. Oh joy. Oh bliss.

The conference itself was ok, and my paper was well-received, if a bit light and fluffy. I was on the same panel as a woman from Australia who had done some intense research regarding the genocide which occurred in Cambodia from 1975-1979, asking the question whether Cambodia constituted genocide, crimes against humanity or revolution. Yes, people argue constantly over what constitutes genocide, subtly trying to undermine the premise of it until the distinctions become useless and paralyzing. Her conclusion was that it was genocide, plain and simple.

The conference was supposed to end at noon on the 10th, but these things never end on time, and we were having our final session at the Capitol, a place I had never been before. The session dragged on until after the noon hour and I had promised another friend that I would meet him for lunch, so I left. A few minutes later I got a call from him saying he needed to blow through a deadline and we were unable to meet. I now had nothing to do until my Bolt Bus left at 5:30.

I could have gone back to the meeting, but I was mentally done with the conference, so I pondered a bit and decided to head to the Holocaust Museum since I had never been there. As I was approaching the METRO, I became apprehensive about going and by the I reached the Capitol stop, I said forget it, turned around, and went across the street to the Library of Congress since I had never been there before. I toured what I could of the building for about an hour and decided to take my leave back to the hotel and that’s when I started to hear people talk about some incident that had occurred in D.C. I didn’t hear the details of the incident until I got on the METRO and it was still innuendo and rumor. People knew something had happened but not quite what.

When I entered my hotel, the big screen television in the lobby was focused on the Holocaust Museum. I froze and just stared, realizing how close I had come to being there. I sat in the lobby, watching the screen and hearing the most devastating news possible, a shooting had occurred and one man was dead. I began crying, particularly since the death crazed aspects of me being in D.C. were overwhelming and I had just spent 2.5 days listening to talk of genocide and presenting a paper on the subject.

In a nutshell, a white supremacist had walked into a Holocaust Museum and killed a black security guard. From that moment, I went into what I call, Humanity Overload.

Crying uncontrollably and still looking at the T.V., I put my headphones on and listened to 21st Century Breakdown. I was having one, that’s for certain.

Billie Joe's Guitar of Conscious

Billie Joe's Guitar of Conscience - Screenshot by CarmenPunkGirl

I don’t really remember much of the album as I was listening. I just know that its effect on me was calming, despite the guitars and Billie’s screamed lyrics. I kept the album on as I went to catch my bus, and all I could think of was how much humanity sucked.

From then on, it was Green Day for the rest of the summer. I took a break from politics, I didn’t think of genocide, I no longer watched the news. I primarily found comfort in a crazy band of fun misfits who sang about everything I felt. I went to four of their concerts in the States (Albany, the two MSGs, and San Antonio), and two shows in England. I began this blog the day before the conference, on June 6, to personally document their tour and escape from the harsh realities of life. I still haven’t paid much attention to the news. I needed a break, a respite. Sometimes you just have to DO IT.

But genocide never really leaves you once you think about it in any serious way. My place of work is holding a conference on Lemkin’s collection of correspondence, papers, and life’s work coming up this weekend in New York (click on the picture below for more information), and I’ve had to help with the accompanying exhibit and will also be presenting a short paper on the recently digitized collection of correspondence we now have on the web.

Letters of Conscious - Raphael Lemkin and the Quest to End Genocide

Letters of Conscience - Raphael Lemkin and the Quest to End Genocide

However, I don’t feel as panicked and hopeless about it or humanity in general as I did earlier in the summer. In fact, I’m regaining my sense of fight and hope, of pluck and stamina, and I have Green Day to thank for helping me, kicking and screaming all the way, renew a sense of purpose. As Billie Joe says, you have to live here, in the moment, right now, so get up, stand up.

Mind you, I don’t want to equate Billie Joe Armstrong’s lyrics or actions to the words or actions of Raphael Lemkin as being equal. Lemkin was determined to stop a very real problem of humanity by using the law and political will to stop the mass killing of groups. Billie Joe wants to raise our conscience a couple of levels while raising a few beers and forgoing our guilt in having a good time. However, I think Lemkin and he both possess a special and rare human quality that few people possess. This far-reaching quality is the ability to encompass large groups of people, embrace them, and try, for just a moment or their lifetime, to ease their pain.

I told my fellow GD friend, Tony, that I had listened to “Know Your Enemy” to prepare for the conference earlier this year and that I had no desire to think positively about a myriad of things in regard to humanity or the upcoming conference. He succinctly said, “you just have to ‘See The Light’ instead.” I took his advice and began to listen to this song from Green Day. And slowly, but surely, it’s been helping to pull me up from the abyss.

I really hope that one day genocide will no longer be a problem and that no one has to think about such a horrible crime again.

So, that’s my story of 2009: Green Day and genocide. What a year its been.

Well I crossed the river
Fell into the sea
Where the non-believers
Go beyond belief

Then I scratched the surface
In the mouth of hell
Running out of service
In the blood I fell

Well I, I just want to see the light
And I, I don’t want to lose my sight
Well I, I just want to see the light
And I need to know what’s worth the fight

I’ve been wasted
Pills and alcohol
And I’ve been chasing
Down the pool halls

Then I drank the water
From a hurricane
And I set a fire
Just to see the flame

Well I, I just want to see the light
And I, I don’t want to lose my sight
Well I, I just want to see the light
And I need to know what’s worth the fight

Well I crossed the desert
Reaching higher ground
Then I pound the pavement
To take the liars down

But it’s gone forever
But never too late
Where the ever after
Is in the hands of fate

Well I, I just want to see the light
And I, I don’t want to lose my sight
Well I, I just want to see the light
And I need to know what’s worth the fight

© GREEN DAZE MUSIC; WB MUSIC CORP.;


Highlights from the Breakdown: Green Day’s Last Night on Earth

No words needed for how beautiful this latest live concert video from Green Day is; Last Night on Earth.


Breaking News! Hair Report and Dominated Love Slave

The Lushie Nuns and Beth posted this awesome video from Turin. The Rev is gone as Billie returns to black and something wonderfully crazy happens at the two-minute mark. Enjoy!


This is the End, Pt. II: Green Day Rocks Europe (and Other Stuff)

This is the end
Beautiful friend
This is the end
My only friend, the end
It hurts to set you free
But you’ll never follow me
The end of laughter and soft lies
The end of nights we tried to die
This is the end

-the doors, “This is the End”

Green Day New Wallpaper from Greenday.com

Green Day New Wallpaper from Greenday.com

Tonight was Green Day’s last European tour stop in Turin, Italy. From what I have read on Prima Donna’s Facebook, they were pranked by Green Day, but got the boys back with a case of mangina. I have no idea what either prank consisted of besides the mangina (which sounds dirty), but it warmed my heart to hear that Prima Donna got them back. I only wish that every opening band were as bold and brave as both The Bravery and Prima Donna. Let’s hope for videos soon!

As for the tour, Green Day ripped through arenas in Europe from Germany to Spain to France to the Netherlands, Norway, Italy and many points between. They shared some fantastic moments with thousands of fans who heard their clarion call and were able to join them in their second homeland, the United Kingdom, for Rocktober. I was one of those who were able to follow the call, and 250 lucky fans (me not being one of them), got a rare treat from a crazy band known as the Foxboro Hot Tubs.

Do not be sad, Europe, for the boys will be back in the summer of 2010. Stadium gigs have already been announced for Manchester (June 16), Wembley (June 19), and Paris (Parc de Princes, June 26). Tickets for Manchester and Wembley are on sale now, and will be on sale for Paris on November 20th. In addition, Green Day is still rumored to be the headliner band at the huge Irish festival at Slane Castle sometime in August, so hold on to your hats, Ireland, for that one!

I have a ticket for Wembley and I’m hoping for Manchester, too, if I can find a plane ticket that won’t break my back. We’ll see.

In the meanwhile, the band flies back into the States this weekend, just in time for the closing nights of American Idiot out in Berkeley. There’s good news about American Idiot as well: it is certainly moving to Broadway, according not only to an article in Playbill, but also a casting call for Equity actors that was posted today as well. While the theater and opening hasn’t been set yet (I have a feeling this may be announced this weekend when the boys come back to Berkeley, but it’s only a hunch), all roads lead to Broadway…. for good or ill. In regards to the casting call, Actors Equity rules state that all new shows must have open casting calls for Union actors, so that doesn’t necessarily mean that the show’s current actors won’t be in any future production.

Well, that’s it from Europe for now. There is much more coming soon over the next two months, as Green Day takes a break in California to be with the family, perform a free concert in Los Angeles, head to Australia, and come back home for New Year’s Eve, where they will be performing from Los Angeles for the Carson Daly Show. That last bit of news kinda broke my heart. A press release from the Carson Daly Show posted at the Idiot Club presented the show as if Green Day would be heading to Times Square itself for the New Year. I was so excited because the Idiot Club will be giving out tickets of some sort to the event. However, it’s been confirmed that they will be playing from Los Angeles (though some believe that the free taping on November 23rd from Los Angeles will be a canned performance for New Years), and my heart sank deep when I heard that bit of news. Alas, shit happens and it’s all good… as long as I get to see them again some time next year.

Until Green Day heads off to Australia for more performances, here they are performing “Letterbomb” for the first time on this tour, at Wembley Arena on November 1, 2009:

Green Day Performs “Letterbomb” at Wembley Arena, November 1, 2009


Green Day Paintings by Kerry Harris

The 3 Boys by Kerry Harris

The 3 Boys by Kerry Harris

A few short weeks ago, I was in London for the two Green Day shows at the O2 arena. It seems like a lifetime ago already, but I have some great memories of the concerts and the boys, and I met some fabulous people from all over the world, including the United States, England, Germany, Norway, South Africa, and Brazil.

One of the people that I met is a lady by the name of Kerry Harris. She was part of the Rocktober crew and flew in from Australia on a whim to see Green Day for their entire English tour, including the now legendary Foxboro Hot Tubs gig. She is a doctor from the Land of Oz and a talented painter. Kerry presented one of her paintings to a friend in Kent and I loved the canvas, so with her permission, I thought I’d take the opportunity to showcase a few of her impressive works.

Green Day Triptych - Painting by Kerry Harris

Green Day Triptych - Painting by Kerry Harris

Green Day - Kerry Harris Triptych sketches

Green Day - Kerry Harris Triptych Sketches

Green Day for Jax - Painting by Kerry Harris

Green Day for Jax - Painting by Kerry Harris

Mike Dirnt, Tre Cool and Billie Joe Armstrong by Kerry Harris

Mike Dirnt, Tre Cool and Billie Joe Armstrong by Kerry Harris

 

Kerry Harris Bumper Sticker

I'm Not Stoned I'm just fucked up - Bumper sticker by Kerry Harris


More Foxboro Hot Tubs from London

Blood, Sex and Booze – Foxboro Hot Tubs

Partybiene uploaded several videos from the Foxboro Hot Tub’s secret show in London from November 1, including the rendition of “Blood, Sex, and Booze” above. Head on over to view a few more videos from this once in a lifetime show.

FBHT in Kerrang

Wild Night in London Town - Foxboro Hot Tubs

By the way, there are a number of inaccuracies in the article, but the pictures are nice.

*Scan courtesy of shadowgirl1 at the GDC


Highlights From The Breakdown: Novacaine; Murder City

Green Day released their third concert video yesterday, this time mixing footage from both the soundcheck and show in Birmingham, England from October. I love these videos put out by them from the concerts as they have pretty much captured the intensity of Green Day’s live show. Chris Dugan is doing a wonderful job of photography and videography on this tour. Their latest release (the other two have been “East Jesus Nowhere” and “American Eulogy”) is “Murder City.”
I was lucky enough to hear “Murder City” at Madison Square Garden 2, at both the soundcheck and the show. So while this clip is from Birmingham, it brings back good memories from MSG2, which took place 104 days ago.

This next highlight is from the Munich show from last week. I include this for two reasons: it’s my favorite song from American Idiot and I was lucky enough to hear it live at London’s second O2 gig last month. Green Day didn’t play this at all in North America, but have been switching it up with “Before the Lobotomy” in Europe. I couldn’t find a good clip from the London show, so this one is from Munich. He does a teeny storytime about touring Europe and Green Day’s 21st anniversary. In London he gabbed about how nice the weather had been, which I must say, was perfect, clear skies and warm. I have a theory on why the weather was so nice: Because God wanted to see his favorite band. Ha!
[YouTube=http://www.youtube.com/watch?v=t12TO5wYUc8&feature=youtube_gdata]

This last clip is something I recorded outside of the O2 on the second night. It’s a group of bagpipe players outside the arena and I adore the bagpipes. It was a nice surprise to hear and a nice touch to a great weekend of Green Day and London.


Highlights From The Breakdown: A Quick One While He’s Away

A conversation on Facebook comparing Green Day’s two shows at Madison Square Garden back in July and their two shows at London’s O2 in October prompted me to think of Green Day’s version of The Who’s “A Quick One While He’s Away.” Four people, including me, had seen all four shows and except for one, agreed that while both second nights were better, (because the second night is always better), we felt that London’s 2nd show was the winner for various reasons. However, Dawn, who I’ve mentioned before, had one caveat: Green Day’s performance of “A Quick One While He’s Away,” from the second show at Madison Square Garden.

This performance took MSG by surprise because no one in their right mind expected it. The song is one of four bonus tracks from the iTunes release of 21st Century Breakdown and unless you had that album version (the CD and I believe the vinyl versions have different bonus tracks) you were kinda lost as to what was going on.

I remember being a little nervous at the hesitant start for the band. It’s a long and slightly complicated song and who knows how many times they had actually rehearsed it. After a few bars they let go and went with it and I realized that what I was seeing was a very rare performance, especially since Billie Joe noted that it was the first (and probably the last) time that they had performed it. There may be good reason for that as the crowd took a while to warm up to it but I am not sure if the audience ever completely got into it. I did, but I was in the pit, behind one row of bodies and I was pretty damned happy with having heard it live at least once.

So, I got to thinking about the performance and wanted to watch it again, so I’ve posted it below. It’s not the best of videos, but it is the entire seven minute song:

Fast forward to that ficticious band, the Foxboro Hot Tubs, and their gig in London on November 1st. The Foxies (my silly pet name for them) broke the song out and repeated the ‘You Are Forgiven’ a billion times. Here they are having a crazy time with it and the two versions, from, um, two different bands, is like night and day. There are three short “A Quick One” clips on Youtube from the secret show in London and the clip below is the longest one. All of them are very short, which probably had something to do with booze.


MTV Europe Music Awards 2009 :: 05.11.09 :: Berlin

Vodpod videos no longer available.

more about “MTV Europe Music Awards 2009 :: 05.11…“, posted with vodpod

Green Day Accepts EMA Best Rock/Cock/Kack/Shit Award
Vodpod videos no longer available.
more about “Green Day Accepts EMA Best Rock/Cock/…”, posted with vodpod

Mike and Tre interview with Pete Wentz, Joss Stone, and some other dude

(I love it when Mike and Tre get are the focus of attention. Love you, Billie, but, well, you know):
Vodpod videos no longer available.
more about “MTV Europe Music Awards 2009 :: 05.11…”, posted with vodpod


Green Day at the European Music Awards

UPDATE: And HERE YOU GO, watch the videos that are no longer on Youtube here.

Scroll down the list of the above link and you’ll find a great interview at the EMA’s with Tre and Mike.

The BBC Video link below is still working.

Bummer, U2 wins over Green Day for Best Live Act. 😦

Green Day wins for Best Cock… ur… Rock Award! Woot!

So, Tokio Hotel won for Best Group, but I think it’s because they are German.

Getty Images from the European Music Awards***

On the Red Carpet**

Know Your Enemy and Minority**:

 

Acceptance for Best Cock Award (with a bonus of David Hasselhoff looking a little drunk) and Stuff with Katy Perry*:

And here’s the cutest picture of Tre from backstage at the EMA’s yesterday.*** I’m glad, just like his fans, that he occasionally doesn’t listen about that picture-taking thing.

Backstage at MTV EMA's. I was just repeatedly asked to not take pictures. -tre

Backstage at MTV EMA's. I was just repeatedly asked to not take pictures. -tre

**hattip GDA/GDC

***hattip Green Day Twitter