I’ve noted a few times over the last year when a specific segment of Green Day’s 21st Century Breakdowntour ended [LINK HERE], and this time, it’s the complete end of the tour. Green Day finished off their tour last Friday in Costa Rica and did an amazing bunch of old songs, including a full band version of “Christie Road,” and “Brat” and probably the most rare song of them all, “I Was There.” [SEE SETLIST HERE] According to DJ ROSSSTAR, a mega-fan and host of LA’s The Punk Rock Show [LINK HERE], the band hasn’t performed “I Was There” since John Kiffmeyer left the band as Green Day’s drummer. I would have hocked my Grandma to be there in Costa Rica to hear that one live, but alas, I was not there.
While Billie Joe and the band absolutely hates Youtube and concert videos, I hope that one pops up of “I Was There.” Unfortunately at this point, the only videos that have turned up on Youtube have been of the set’s regular mainstays. Though one person did capture “Christie Road” so far. It’s not the best of recordings, as happens on Youtube, but I literally cried hearing it, but hey, that’s just me.
I’ll Meet You at Christie Road – Green Day in Costa Rica – christian1449
If “I Was There” pops up on the ‘tubes, I’ll probably have to go to the insane asylum and complete my personal 21st century breakdown there.
This is the Future
There is plenty more in the future to come from Green Day, so even if the tour is over, let’s not be sad, let’s celebrate it, not mourn it. In fact, pretty soon, we will be able to look forward to a few things over the next year including:
*Some time in the next year, Green Day will release a new live album featuring songs from the band’s 21st Century Breakdown Tour. Maybe a DVD, too!
*Green Day is already working on a new album.
*American Idiot on Broadway is extended to the end of April 2011, as a new batch of tickets for the show were recently released. For more information on tickets sales, go the official American Idiot on Broadway site.
Who knows what else the band has in store for us, too? Heck, maybe a little Foxboro Hot Tubs record? Maybe Billie Joe will go back to Broadway for a bit? Maybe Mike Dirnt and his bandmates, Jason Chandler, Art Tedeschi and Terry Lineham, from The Frustrators will finish their new album, too! So, don’t be sad, be happy! Celebrate the future! It is bright!
Green Day Fans Celebration on May 28, 2011
Coming up for fans in May 28, 2011, there will be a huge Green Day fan and environment celebration, put together by fans for fans! The event is still in the planning stages, so I don’t have much to write about so far, but once there are final details, I’ll post something about it. The Green Day Authority may also be providing information on this event, too.
The Future of Green Day Mind
Just a note on this blog: I said I was going to end the blog when the tour ended, but I’ve decided instead to expand it a bit beyond Green Day and write about other bands, theatrical events, and just plan life crap, too. So, if you have enjoyed anything from this blog over the last months, please continue to visit and thanks for stopping by. I’ve always appreciated the positive feedback I’ve gotten from the blog, and your comments have always made my day. If you’d like to write anything about bands, fanzines, concerts, crazy theater or anything of the like, feel free to send in stuff. While I may not use everything depending on the writing and the topic, I’d love to share the best of your opinions, new discoveries of bands and events, and happy fan stuff, Green Day-related and otherwise. Thanks!
Green Day Over Broadway. Photo by Gavin Boyd, Rolling Stone
Four dates in the life of the Broadway baby called American Idiot stand out for me since seeing the show in Berkeley back in September: The invited Press and Fan Final Soundcheck on 3/23/10, the first preview on 3/24/10, opening night on 4/20/10 and the MTV Special Viewing that occurred on 4/22/10. Since I live in NYC, I had the great fortune of attending all of these special events. This post is a roundup of some of the goings on with the show this past month here in NYC.
Press and Fan Final Soundcheck 3/23/10
An unprecedented invited Press and Fan Final Soundcheck was announced through the Idiot Club and the American Idiot on Broadway Facebook page a few days before the show was to begin its first Broadway preview. The soundcheck press conference occurred in the middle of the day and I made arrangements with work to take a long lunch to go. I attempted to get a blogger press pass and wrote a professional letter to the show’s press agent, and included the name of one of my friends, a top NYC theater critic, who recommended that I write to them. Unfortunately, I wasn’t afforded the courtesy of a reply. At least when I asked at Berkeley, they very kindly sent me an email saying no. I don’t want to sound bitter, but I know that both the production company and press agent for AI have come to this blog. Some sort of reply would have been nice, but I’m not legitimate enough for the courtesy of a reply in New York City. I even mentioned to them how I appeared in the Daily News regarding the show. In fact, several Facebook friends asked me “what I did for the show” and one of them, a television producer who I’ve known since acting school also asked me. And yet… well… whatever. No reply at all. At least a no is a response.
Putting aside all of that, the final soundcheck was a magnificent day. We waited outside for the Idiot interns to check us in, and they recognized me from the American IdiotOn Broadway Facebook page and said hello. After about an hour, I went across the street from the theater to wait for the band to show up to take pictures, and shortly thereafter, Green Day was driven up to the theater and deposited at the front doors. I managed to snap two shots of Billie Joe, Mike, and Tre coming into the theater. It was nice to see Mike for the first time with his blond hair, and Tre was carrying what seemed to be a drumstick case.
American Idiot Soundcheck Billie Joe and Tre, 3/23/10. Photo by Green Day Mind.
American Idiot Soundcheck Mike, 3/23/10. Photo by Green Day Mind.
After they moved into the theater, I went back across the street to wait with everyone, and eventually, the first fifty fans in line, who had been told that they were going to sit in the Orchestra seats, were let in first. About 10 minutes later, the remainder of the line was shepherded into the theater up to the Mezzanine. The folks who had been told that they were going to sit in the Orchestra were actually sitting in the Mezzanine with the rest of us. Official word was that there were too many people in the press corps in the Orchestra, and needless to say, the first fifty fans in line were disappointed. I have a feeling that they were afraid that people would try to rush the stage and attempt to get autographs from the band or cast, a very legitimate possibility.
We bitched and moaned with them for a few minutes, and then the lights started to go down and the sounds of the opening strains of the musical — news and television clips from the Iraq War era — began to play. The huge red velvet curtain slowly went up and the cast stood onstage with their backs toward the audience (a definite and effective change from the Berkeley show), all looking toward the 20 or so television screens embedded in Christine Jones’s excellent set design for the show. The guitar riff to “American Idiot” began, and the cast was off, singing the title song to the show.
American Idiot Sound - Tre Climbs in Bed, 3/23/10. Photo by Green Day Mind.
AI Cast Headbanging During "American Idiot" Soundcheck. Photo by Green Day Mind.
After the song, director Michael Mayer, Billie Joe Armstrong, Tre Cool, and Mike Dirnt walked onto the stage to loud claps from the crowd in the peanut gallery. Mayer spoke for a bit about the show and his inspiration and collaboration with Billie Joe on the book. Billie Joe spoke, then Mike, and Tre said something for a second. While Tre was talking, Mike and Billie climbed into the onstage bed prop, the cast piled on top of them, photo ops were had by all, and the event was over. I went back to work while the rest of the Green Day Community gang hung out and went to lunch. Green Day and the cast headed over to Sardi’s, a famous restaurant down the street from the St. James known for its Broadway clientele for more interviews with the “legitimate” press.
All in all (and despite my bitching), the press conference was a great way to start off the feverish run of American Idiot in New York City. The celebration lasted for a solid month and ended with a spectacular bang with good reviews, solid changes to the show, a special MTV showing with the band, hanging with old and new friends, and one of the best After Parties Ever — two appearances by the fabled Foxboro Hot Tubs (more on the latter in a later post).
APRED Clip of American Idiot Cast Singing “American Idiot” and Press Conference, 3/23/10
I didn’t intend to go to the first preview and hadn’t bought a ticket for that night. My first “official night” of seeing American Idiot was actually scheduled for 4/7/10, but a bunch of Idiots had traveled from around the country to come into New York to see the show, and one of them, sadly, couldn’t bring her friend as planned because of her friend’s cancer treatment. She had an extra ticket so I offered to give her some cash for it (which I still have to do), with the proceeds going toward her friend’s cancer fund. The show at this point was in the working stages from the move from Berkeley to Broadway, and they were working kinks out and adjusting to the larger set and staging of the show. I was quite impressed with the changes in the choreography, the storyline, and the passion that I felt from the cast. Over the course of time from the first Preview to Opening Night, I saw the show three times (3/24; 3/27 and 4/7) and noticed that there were several changes and reworkings during that time until Opening Night and the MTV Special Viewing. (All together, between Berkeley and Broadway, I’ve seen the show seven times.)
Green Day, of course, was there that night, and it was a three-ring circus! Their wives and kids were in the audience and just before the curtain went up, Billie Joe’s bodyguard (a nice guy who I’ve spoken with a few times who does an excellent job of crowd control and protecting Billie Joe) brought him down to sit next to Adrienne. They were so damned cute together, too. I didn’t stare too much, being the nonchalant New Yorker that I am, ahem, but of course, a stare or two couldn’t be helped during the show. There was a palpable excitement and nervousness in the air as the audience, clearly in the show’s corner for an exciting time, was bouncing up and down in their seats in anticipation.
After the show, the circus continued outside. I’m not a fan of getting autographs or photos with famous people, so I just hung around outside until I could find the contingent of folks I had come to the show with. The sidewalk outside of the St. James was packed with people, and many folks had to stand in the street just to let people pass through. Of course, those of us standing in the street kept getting yelled at by cops and security to get out of the street. I would move along, put a foot on the sidewalk, and then head back into the street while people crowded the sidewalk.
Billie and Adrienne and Rebecca Running to Sardi's after the first preview. Photo by Green Day Mind.
American Idiot First Preview After Show Madhouse, 3/23/10. Photo by Green Day Mind.
Eventually, the cast started to roll out of the theater on their way back to Sardi’s for the preview after party. They were asked for autographs (you can see Stark Sands, “Tunny” being mobbed in the photograph below), and after it calmed down a bit more, probably 30 minutes or so after the show when some of the crowd had dispersed (but not by much), Tre kind of quietly walked out a side door to the restaurant first, followed later by Billie Joe, Adrienne, Rebecca Naomi Jones (Whatsername), Mike and Mike’s wife, Brittany. My friends and I went down to Sardis and stood outside for a bit, watching Tre stand in the window of Sardi’s looking down at the crowd. Girls were screaming up a storm, and I’ve got a bad reputation for telling them to shut up (sorry, I just hate screaming girls or boys, my bad), so after awhile, I got tired of the spectacle and headed back down to the theater. Tony Vincent came out and we said hello to each other (we met at Berkeley and spoke online during the Berkeley run), and eventually, John Gallagher, Jr. came out of the theater, after most of the crowd had dispersed or were at Sardi’s. John knows me by name (probably because I drunkenly told him at Rockwood that he needed to bring more of the angst and also from talking with him at the Character Approved Awards a few months ago), so it kind of shocked me that he remembered my name.
John Gallagher, Jr. at Rockwood, 1/18/10. Photo by Green Day Mind.
When I first saw the show at Berkeley, I wasn’t impressed with his performance, but then again, I had major issues at the time with the entire show. My biggest concern was that during the Berkeley run when I saw it, I didn’t see the seriousness of the material coming from him nor did I feel the depth of the character. I also say that off-Broadway runs and previews are the time for steeped criticism, particularly in regards to something one feels passionately about, and I’m a jaded theater person from back in the day. If everything is perfect at the beginning, there is no room for improvement. And shows and performances can always be improved. John steadily won me over, as I was pulling for him, particularly after I saw him perform his own material at his residency at Rockwood on the Lower East Side this past January. He’s a heartfelt kid, super-sweet, and a talented dude who obviously is in love with this show and the band. Watching him grow into the role of Johnny has been a pleasure and I give him all the kudos in the world for a brilliant and successful run. And I hope he gets a Tony nomination as well. American Idiot is one of the most bone-breaking shows I’ve seen on Broadway. These kids, led by Gallagher, throw themselves around that stage, and every night Gallagher leads the way. I’m sure it’s not easy.
My Wall Signature.
Once John went inside the restaurant, things got pretty tame outside of the St. James, but people were still bat-shit screaming in front of Sardi’s. The kids outside couldn’t get into the bar at Sardi’s, but since my friends and I are of age, we hung out in the bar at Sardi’s and talked with the bartender who has worked at Sardi’s for years, a real old skool New York character. Outside some of the kids were yelling up to the 2nd floor window asking that Billie make an appearance and show them his tattoos. He did, and then one girl screamed for him to sign her arm for a tattoo when he left the bar and he mimed that he would.
At some point during the night, I went upstairs to the bathroom, where the after party was taking place, and walked right into Brittany Dirnt. I didn’t say anything to her. Heck, what are you going to say to someone in the bathroom? When I walked out, Mike was on the phone near the bathroom and Gallagher was hanging out talking with people. I went back downstairs and chatted for a bit longer. I left at 12:30, but the others stayed until 1:00. I guess I should have stayed for another 1/2 hour, but I had to work the next day. From what I understand, the cast and eventually Billie Joe came out of the party and Billie Joe asked for a “fucking” cigarette. (Yes, he does smoke on occasion, get over it.) My friend who had taken me to the Preview was just about to put a cigarette in her mouth and instead, she gave it to him. Bonus! LOL. Oh, and he did sign the girl’s arm, too.
American Idiot Opening at the Irish Rogue. Photo by Michael Gary.
What can I say about Opening Night? By this time, I had seen the show three times in New York, and I was ready to just sit back and enjoy what was about to happen. The opening was a star-studded event, with the likes of Whoopi Goldberg, Rosie O’Donnell, Michael J. Fox and Donald Fucking Trump… oh and a bunch of Idiots who are stars in my book. I didn’t see the Donald, and that was probably a good thing, but I did see the other three, and that was a good thing, too.
Green Day Bracelets in Front of the St. James, Opening Night. 4/20/10.
We Idiots met for dinner and a powwow at the Irish Rogue, having snacks and drinks. Carolyn had brought new Green Day Friendship bracelets to the theater, and she had an extra one and gave it to me. I already had one, but I took it anyway, in anticipation of seeing the show with Becky Walter (of the Facebook page Green Day LIVE on Tour) on 4/22/10. Becky was flying in from Minnesota to New York for the first time ever for the MTV Viewing on 4/22.
We walked down to the site as a group and got more excited as showtime came closer. Our seats were in the balcony and with the crowd, it took a bit of time to get up there. I wasn’t sitting with the Idiots from the restaurant, unfortunately, but I was anticipating meeting up with two special friends, Rachel and Michelle, who were sitting next to me. We three had shared some incredible moments out in Berkeley over the last few months, and Rachel was there to help manage the Mystic Knights of the Cobra tour that was starting the next day and Michelle is the spectacular photographer who took photographs of the Pinhead Gunpowder show back in February. She’s also the girlfriend of the bassist (Jim Graz) of Honah Lee, the accompanying band with the Cobras on their Party! Party! Party! Tour of the East Coast. The tour had been something I was hella looking forward to for months now, and I knew that when I saw them, that the REAL party was about to begin. More on that in a coming post.
The audience, if possible, was even MORE excited to see the show than on the first preview. Everyone was dressed to the nines and there were a few times when the audience shouted out lyrics to the songs with the cast, which was very exciting. I loved it.
After the show, we made our way downstairs and waited around for a little bit to say hello and goodbye to people. We were standing in the St. Jimmy Bar and as I was trying to walk into the area, my bag poked Ed Norton really hard in the ass. (Lucky bag.) He turned around and I apologized, and he smiled, and since I was looking hella good, he looked for a bit longer than usual. And I let him. Haha. And then I turned away and decided that the only thing I wanted to do was leave and hang out with Cobras and start the next phase of this wondrous opening week. So we hopped in a cab and went downtown.
The Real Party Begins. Hanging with the Cobras in the East Village, 4/20/10.
I did not go to the Opening Night Party, but the Green Day Community’s Katie McPansy Grogan won the American Idiot on Broadway Facebook contest. She had a fabulous time in NY, got to meet the band, interviewed Rebecca Naomi Jones, had excellent seats, and went to the After Party. I highly recommend visiting Katie’s Video Blogs of American Idiot on Broadway Opening.
A Shout Out to Nicole.
Lastly, a word of thanks to Nicole Gary. Nicole and I met on the Green Day Community and have been theater buddies in NYC since then. We were also in the Daily News photo shoot together back in March. She told me on opening night that she had attempted to get me a press pass for the After Opening Party festivities and had almost succeeded, but things didn’t work out. Thank you, Nicole, for believing in me and my blog, and for being a good buddy. I appreciate your friendship.
MTV Special Viewing, 4/22/10
J’net (an awesome moderator at the Green Day Community, thank you!) had bought us tickets to the 4/22/10 showing when tickets first went on sale. At the time, tickets weren’t on sale for Opening Night, so 4/22 was the next best thing going at the time (and it proved to be pretty amazing). I was hoping for something weird and special, as I had heard that weird and special things might happen on this night, so I was in weird and special mode. When tickets went on sale on 4/1/10 for Opening Night, I regretted my decision a bit to attend this performance. The Cobras and Honah Lee had played the night before at Arlene’s Grocery, and they were off to Asbury Park for a show at Asbury Lanes. Truthfully, I wanted to be with them as I don’t get to see them very often. But, we make our choices and I had to work on Friday anyway, and ok, shoot me, since all in all, I’ve been way lucky and it’s all good.
Minnesota Gal in NYC. Becky of Green Day LIVE on Tour Comes to NYC.
Things always work out best for those who love the Lushie Gods. Becky Walter, a friend of Niki Lee’s (Seize the Green Day), had won tickets to the MTV Special Viewing but was a bit panicked about making her first major trek from a small town in Minnesota to New York City. I had seats in the Mezzanine that night, but I told her that I would help her navigate through Manhattan and she gave me her second ticket. Niki, Dorie and I talked her through it and encouraged her to take the bull by the horns and conquer her fear of coming to NYC by herself. After all, we don’t bite… hard… here. We told her it was a once in a lifetime opportunity and she really wanted to come see the show, and having free tickets was half the battle since the ticket prices can be high. She flew in the day of the show, walked to my work to pick me up so that we could navigate down to the difficult to find Pop2Life offices for the tickets, and then whizzed uptown to meet folks at the Westway Diner for dinner. We proceeded to the venue a bit later and I gave her the Green Day Friendship bracelet that Carolyn had given me the day before. Our tickets were in the left Orchestra, not far from were I sat on the night of the first preview. Also, by Becky giving me the ticket, Andres from the Green Day Community was then able to share this special night with everyone by taking my original Mezzanine seat with J’net, Dawn, and Sherri. The Lushie Gods are good!
As the show was about to begin, Armstrong, Dirnt, and Cool family members walked in and filled the seats in the Center Orchestra. Billie Joe’s mom is the cutest thing ever, and she was beaming from ear to ear. Adrienne walked in with her and sat about two rows from us. As the curtain bells were ringing, The Edge from U2 entered and sat in the Center Orchestra not far from us, followed by Tre, Mike and Brittany, and finally, Billie Joe, who sat in the aisle seat next to Adrienne. Needless to say he caused a stir when he came in, but then the lights went down and the curtain went up.
Is this thing on? Green Day sings during American Idiot on Broadway. Photo by Green Day Mind.
It was kinda funny looking at him as an audience member. He was mesmerized by the show and his mouth was kinda hanging open in amazement the entire time, but something kept distracting him and he ran out of the theater twice during the performance, but came back in. Just as the show was ending, Green Day left the theater and a stage tech brought two mikes onstage. Afterward, the band took their rightful places onstage with their kids, the cast of American Idiot. Billie Joe had some issues with his guitar set-up for a minute, but they worked it out and he noted that it was “his first time on Broadway.” The crowd stood up as they came on and were treated to the “real” version of “American Idiot” and a great rendition of “Basket Case.” The month-long ride from Preview to Opening was complete, and this new baby called American Idiot was on Broadway.
Y’know what… I missed seeing them onstage
Green Day sings on Broadway, 4/22/10. Photo by Green Day Mind.
Green Day sings on Broadway During American Idiot, 4/22/10. Photo by Green Day Mind.
All in all, it has been a great ride with American Idiot, and I’m glad that the show is up and running and is good. It’s gotten exceptional reviews for the most part, and ticket sales are good. It’s fucking up Broadway, and in my book, that is always a good thing. I’ll write up something one day with my thoughts on the actual production, but really, just go and see it and make up your own mind is all that I can ultimately say.
I will say, though, that seeing Green Day back onstage made me realize how much I just wanted to see them perform again. The cast is great and the score is wonderful and kudos to everyone involved in the show, but Green Day is… well… Green Day. I silently offered supplications after the MTV Special Viewing, “please let the Foxboro Hot Tubs play a show this weekend, please let me get to see it.” Cause you know what? There is nothing like Billie Joe, Mike and Tre onstage together. And luckily, the Lushie Saints granted my wish. Twice. More on that in a later post.
And with that, faire thee well, American Idiot on Broadway. May you have a long life and prosper, may your actors stay healthy with no broken bones, and may you always Fuck Up Broadway.
After the break, stay tuned for ToniAnn and Fallyn on MTV being interviewed about the show and some additional links.
UPDATE: I mentioned yesterday the Amazon.com link to the American Idiot cast album, but I didn’t post the link to the site. I was trying to get this done fast so that I could head off to a fitting for a movie shoot that I was asked to do and then realized I couldn’t do the shoot because I couldn’t get off of work. The story of my life and acting. Oh well. Anyway, you can listen to excerpts of the songs as sung by the cast at the Amazon site. The album “features” Green Day and includes the never before recorded song, “When Its Time” sung by Billie Joe Armstrong.
Give My Regards to Broadway
"American Idiot's" Green Day Caricature by Ken Fallin
You may have heard about wild and crazy antics breaking out at Sardi’s after the first preview on 3/24. I’m sure that Sardi’s hasn’t seen that kind of action over a show since the 1950s. (See here – Vince Mediaa link – and here – GD fans ask Billie Joe to sign tattoo and go a little nuts outside of Sardi’s – for videos.) Maybe a portrait of this type will eventually make its way onto the walls of Sardi’s one of these days? Personally, I used to dream about having one at the famed restaurant as a kid. Though, I’ve only had drinks in the bar, I’ve never eaten there (but I’m pretty sure that I’m far from eligible anyway, lol).
The caricature of Green Day is by the modern-day caricaturist, Ken Fallin as seen on the theatrical website, Broadway World. Thanks to Nicole for finding the photo.
You may have heard of the artist, Al Hirschfeld. Hirschfeld was the premiere caricaturist of the Broadway theater for a good portion of the 20th century. A master of his craft of illustration, there’s a great Youtube video of him drawing another legend of the theater, Paul Newman, from a production of “Our Town.” Hirschfeld was 99 years old at the time. The drawing took eight hours, but not because of his age. You can take a look here.
Preview Madhouse, 3/24
Billie and Adrienne and Rebecca heading to Sardi's after the first preview. Photo by Tanya Elder
I’ve had the good fortune to see the show three times on Broadway now, including the first preview (a benefit of living in the Greatest City on Earth, New York). I am pleased to report that I am thrilled with the production. During its run in Berkeley, I had some constructive criticisms of the show, and it was difficult to have a differing view from other die-hard fans. I’m a grouchy and jaded, NYC theater goer, so I’ll get over it. As far as I was concerned, the Berkeley run wasn’t meant to be polished. It was meant to be criticized and pulled apart and put back together again in order to make the show even more fantastic when, and if, it got to its destination. Afterall, that’s what a trial run of a Broadway show is all about. American Idiot is now in previews at the St. James Theater and ends this coming 4/19.
When the show opens on 4/20, it will be set, and it will be perfect.
I was able to buy a ticket to the show on 4/20 — International Pot Day — otherwise known as the Broadway opening of Green Day’s American Idiot. As they do in the theater, I’m going to wait to offer my review of the show until it officially opens. I’ll be in the balcony that night, along with a bunch of other Idiots. I will say that I am happy and quite pleased with the work done on the show. It shows more depth and feeling all around. Bravo!
Night View, American Idiot on Broadway Billboard. Photo by Tanya Elder.
I do want to highlight something that Time Out New York recently wrote in an article entitled, “Green Day’s concept album could revolutionize Broadway” by Rob Weinert-Kendt:
Though Mayer added little dialogue to Armstrong’s often impressionistic lyrics, he hopes that by sharing words among a dozen performers, he’s created a kind of found-text libretto for a multi-pronged narrative that entwines city, suburb and battlefield.
New York Daily News article on the Greenday.com site
A few weeks ago, I mentioned that Mike Chickenman, Nicole Gary and I (as well as 12-year-old Ethan Udell, who I don’t know), appeared in a feature article on the show in the New York Daily News. I’m happy to say that both Greenday.com and Greendayauthority.com posted the scans on their sites! The three of us had a slight “21st century breakdown” when we saw it on the official site on 4/3. We all swooned a bit.
The Tony Award nominations are coming up on June 13th, and as I’ve noted before, Green Day’s European-tour leg, which kicks off May 29th (so far, at least, and it will be GREAT to have the band back on the road again), has a built-in break around Tony time. Unless some concert in Europe is going to pop up, which I doubt, Green Day will be flying from Austria to New York to Manchester (maybe?) because buzz has American Idiot winning Best Musical of the 2009-2010 Tony Season.
This interview that appeared on the LOGO Network cracked me up. It’s from LOGO’s Drama Club. I think it was the music. And Tre’s favorite, The Drowsy Chaparone was a good show that I wish I had seen. Oh well.
Vodpod videos no longer available.
eBay Auction – Two Front Row Mezzanine Seats for Final Preview, 4/19
My friend Diane is auctioning off two tickets to the final preview of American Idiot on 4/19. Diane was to travel to New York with her friend to see the show. Unfortunately her friend has breast cancer and will be unable to come to New York at this time. Diane and her community of friends in the Northwest are helping as her friend goes through cancer treatment, so she is also unable to attend the show that night. I was fortunate to see the first preview of the B’way version of AI with Diane. I’m glad you got to come and see the first preview and all the best with your friend!
All proceeds from the auction go to her friend’s cancer treatment fund. She does not have health insurance.
Original Cast Recording, MTV’s PUSH, Buzzworthy, and 4/22 contest
I posted last time about the back cover of the American Idiot Original Cast Recording. Green Day’s Facebook and site posted the front cover this past week, and again, thanks to Justin, Amazon.com says that the album will drop on 4/20. You can also pre-order until then, a copy at the theater. Just fill out a form and pay at the time. (h/t plaidducky) Lastly in the American Idiot on Broadway realm, MTV and Green Day have combined together to present many “Buzzworthy” presentations of AI on Bway. MTV’s offices look down from Broadway onto 44th street where the St. James Theater is located, according to MTV’s twitter. Whatever one may say about corporate blahdeblah, I gotta say, this is an excellent move on MTV’s part. MTV is giving away tickets to a “Special Performance” of the show for April 22nd. I have no idea what this entails, by being special… but I’m going to the show that night as well. Hmm. Whatever could “special” and MTV mean? Double hmmmm. You can enter the contest here.