Tag Archives: Aaron Cometbus

Mike Chickenman… Mike CM… Gets PEOPed by Fly

The infamous Mike Chickenman, now known as Mike Cm, was recently PEOPed by the graphic artist, Fly. You may remember Mike from Green Day’s show at Madison Square Garden back in July, he of the hardhat, the death metal rendition of “Longview” and a stagedive into oblivion. It was strangely awesome and a bit whack at the same time.

I’ve gotten to know Mike since that night at Madison Square Garden. I was very wary at first, but somehow this crazy, sweet kid won me over. He’s a legend around the punk and crusty scene in New York, known as an avid lover of music, a little loopy, and an up-and-coming music promoter.  When I met Mike late in 2009, he was in a bad place in regards to drugs and alcohol. Since January 2010 thereabouts, he’s been kicking his habit. It hasn’t been easy for him, but it’s never easy to kick a habit and stay true to yourself in a world where everyone wants you to conform… though every once in a while, you might have to confrom just a little, but hopefully not too much.

Mike was really excited (more than usual, which is saying a lot for Mike), about the possibility of having the graphic artist, zine writer and musician, Fly, do one of her PEOP sketches of him. Fly, (whose website can be found here) first published PEOPs: Portraits and Stories of People back in 2003. Her PEOP sketches combine drawings of her subject with conversational dialogue from her sketching session with them. The sketch and part of that conversation are then combined into a drawing. Kristy Eldredge summed up PEOPs in her review from 2004:

The people Fly features are artists, musicians, activists and seekers. A few are well known – Lydia Lunch, Art Spiegelman, John Zorn – but most are anonymous members of what used to be known as the underground. (In these days when the maw of media shines a spotlight on everything in its path, nothing seems underground.) In general they’re creative people who don’t want mainstream careers, draw inspiration from music and find meaning in collective action.

PEOPs #5, which includes portraits of Aaron Cometbus and Jello Biafra, can be purchased at Microcosm Publishing. Mike’s PEOP may be included in the next edition, here’s hoping! UPDATE: As Abbey noted in the comments, a PEOP is also featured monthly in Maximum RocknRoll, so here’s hoping it appears in one or the other.

Mike Cm - PEOP by Fly

What I Heard: Oct. 29-Nov. 5, 2010

Since Green Day’s tour ended, there is really nothing much to talk about when it comes to the band. The Twitter feed has gone silent as Billie Joe had a technology rant at the concert in Peru and I have a feeling we won’t be hearing from him for a long while as Green Day headed back to the Oakland area to work on whatever they are currently working on. I had thought I would stop blogging at this site, but I decided at the last minute to keep it up and talk about not only Green Day, but other music, theater, social and political musings as well. I’ve been a bit busy with a maniacal project at work, and haven’t blogged much over the last week. I hope this column will be a weekly roundup of events I’ve gone to and hopefully will be able to bring you new music and acts to check out for yourself. Just a note: you won’t like what I like and vice-versa. This is just a place to share what I heard. Here goes the first one, What I Heard over the week of Friday, Oct. 29 to Friday, Nov. 5.

Japanther, Dog That Bites Everyone and Team Spider – C-Squat, NYC – Oct. 29, 2010

A few months ago, I traveled to California to see Green Day’s last American shows of their tour. The tour ended in Mountain View, just outside of San Francisco. At the same time, a small music festival called “Hoodstock” was going on in Oakland and the first night of Hoodstock occurred the same night as Green Day and featured the Brooklyn-based, two-piece band known as Japanther. I was a bit bummed that I couldn’t see them at Hoodstock. I swore when they came back home to the Brooklyn area that I would indulge in a little Brooklyn art-school noise, and luckily, a small show for Time’s Up, a “New York City-based not-for-profit direct-action environmental group that uses events and educational programs to promote a more sustainable, less toxic city” benefit happened at C-Squat in Manhattan’s East Village just before Halloween.

Cometbus Words at C-Squat. Photo by GDM

C-Squat is the heart of Manhattan’s anarcho-crusty-punk, whatever-it’s-called, music and political scene. Since I’m not what I would call a punk and am too old to really fit in, I was a bit worried about feeling out of place. I go to a lot of events by myself and feel out of place everywhere, so it’s not necessarily just at punk shows do I feel like a strange misfit. Luckily my friend Mike Chickenman introduced me to a few people at C-Squat, and I also saw a girl there that Mike had introduced me to when we saw Bad Religion at Irving Place on Wednesday of that week. I also met a kid named Grim at the venue, and he was kind enough to talk with me for a little bit. I ran into some politically-minded people that I have met over the last years at the Time’s Up benefit also, so I began to feel a little less out of place than I usually do. I don’t consider myself a punk (as no one else would either), and I don’t fit easily into any “scene.” Luckily, by the time that Japanther hit the stage, my inhibitions about my own sense of identity faded away, and I almost hurt myself dancing when I joined in with the younguns on the tiny dance floor. I’m always amazed at shows that have a crazy dance floor. On the whole, people take care of each other as they are slamming into one another, unlike the pit at Green Day’s Montreal show that I went to back in August, where people were just assholes.

C-Squat is also where on-the-road ‘zine legend Aaron Cometbus recently wheatpasted some of his original Cometbus writings on one wall and floor, and I took a few pictures of his work for a friend who is a huge Cometbus fan. I only had my iPhone on me, and the few crappy pictures of the night that that I took can be viewed here.

Team Spider at C-Squat. Photo by GDM

I started the night watching the bands from the balcony, as Mike had left by this time to head to work and I still didn’t yet feel comfortable enough to hang out on the floor. I also kinda love to watch a dance floor from above, too. The night began with the band Team Spider, a mix of ska and punk, and they got the small crowd going as bodies slammed into other as they will do to music with idiosyncratic beats. When dancers fell, others were there to pick them up, even as masked Halloween dancers violently pushed each other and a dog ran through the crowd chasing a ball. The band itself was fun, and I liked their song “Fuck Brakes,” which basically is about, well, the freedom to chose brakes or not, or Live Free or Fucking Die. The lead singer wore a bike helmet with a NYS license plate stuck through it, and I have the feeling that he’s had more than one encounter between bike and car in his life. You can listen to some of their songs at their Myspace page, including “Fuck Brakes,” located here.

Dog That Bites Everyone EP Cover. Photo by GDM

The next band up was Dog That Bites Everyone. I had seen them open for Star Fucking Hipsters in Tompkins Square Park over the summer, and I enjoyed their mix of garage rock and r&b. They are a difficult band to categorize, and I enjoy that, too. The crowd had gotten a bit denser by this time, filling up with people there for the Time’s Up benefit that weren’t really into dancing, so the crowd didn’t move as much as they did for the first band. I thought to myself that when Japanther went on, those folks were really going to have to get out of the way or be crushed, and I ended up being right about that. I was still up in the balcony for the band’s set, but I knew that my time was limited there as the person next to me, who was really drunk, threw up over the balcony and really needed to go home. Here are a few pictures of their show at C-Squat from their Myspace page.

After Dog That Bites Everyone, I was going to head outside for a smoke, but they weren’t letting people outside as capacity had been reached, so I ended up talking at the door with a doorman and some crazy funny kid who was trying to decipher a strange text message and picture that he had received from a friend. The kid couldn’t figure out if the picture and accompanying text meant a booty call or not, but I was a little scared for him as the text message mentioned blow torches and pliers, and I told him that he had two choices: call the guy and figure what the heck he meant or stay and see Japanther and not run the risk of third-degree burns. I have no idea what he decided, as I headed back in after the smoke and Japanther were ready to go on anyway. I headed to the floor and was determined to dance as much as this old body could.

Japanther is a two-piece band made up of drums, bass, and a cassette sound machine. The two members of the band, Ian Vanek and Matt Reilly, met at the Pratt Institute art school in Brooklyn, and have an art school sensibility mixed with punk and a techno beat, I suppose. They’ve been around since 2001. While the sound might not be for everyone, I guarantee you that if you see them, you will be compelled to throw yourself into a few sweaty bodies and loose all sense of physical inhibition. Oh wait, that just could be what I did for their show. Your experience, of course, may be different.

Japanther – “River Phoenix”

World/Inferno Friendship Society and In Cadeo – Brooklyn Bowl, Halloween, Oct. 31, 2010

I was looking forward to this show so much, and I think my expectations of meeting new people and enjoying a fun Halloween were blown out of proportion in my head. It’s not that I didn’t have a good experience hearing and seeing World/Inferno Friendship Society, I did, but as someone who goes to a lot of events by themselves, I felt incredibly lonely at this show where everyone seemed to know each other and were in on the Great Pumpkin Experience.

Mike was there again, and a few people that I’ve met, but Mike was working and others knew scores of people there, and due to my mood, I didn’t have that Friendship experience. I was feeling a bit sorry for myself, another loser night by myself, and got way too overwhelmed and left early. Plus, I was still incredibly tired and in pain from Friday’s Japanther show at C-Squat.

In Cadeo - Brooklyn Bowl. Photo by GDM

The first band, In Cadeo, was not my cup of tea. They fashion themselves after the band, The National, and while they are incredibly accomplished musicians with a big sound that included cello, I was bored stiff watching them. Reading their press, they are placed in a grunge/punk category, but I think they are more hipster-sounding grunge, if there is such a thing. (Ugh, categories!) I am very good at moving to any band that I see onstage if their music moves me, and I have no qualms about bopping my head if the beat is right. Unfortunately for me, In Cadeo bored me to tears, but that also might be due to the incredibly crappy mood that I was in. You can hear some of their songs at their Myspace page, and they have incredibly positive press, so don’t let my bad mood affect your listening pleasure. I enjoyed their lyrics and the song, “The Archer,” so make sure you check that one out.

World/Inferno Friendship Society - Brooklyn Bowl. Photo by GDM

Feeling like Lucy with her head stuck in water. Photo by GDM

As the time neared for W/IFS’s performance, the crowd packed into the space around the stage tighter. If you’ve never been to the Brooklyn Bowl, it’s part bowling alley, part bar, part stage area, and it’s huge. The intimacy of C-Squat wasn’t there, and again, my mood and body wasn’t the best. I huddled into a corner with my back to a wall but close to the stage. I was hoping that I would be compelled to fling myself into the pit at some point, but it just wasn’t happening, but it was fun to see the crowd go wild and it was evident that this musical collective, with a rotating cast of musicians (and an aerial performance, too!) and the audience have a great chemistry together that has been cultivated over a long period of time. [Read the Wiki page for more info.] I hope that if I see them again, I’m in a better spirit because I love their sound: part-punk and gypsy-rock with a touch of Weimer-era Germany thrown in, too, and I heart tremendously any band that combines an excellent front showman with brass. I hope to see them again when I’m not in such a holiday funk.

Showgasm at Ars Nova with Visiting House Band Declan Bennett

Last night’s show was a cabaret showcase called Showgasm, which takes place at the Manhattan space, Ars Nova, on W. 54th Street. I went to see Declan Bennett play with members of the American Idiot cast, including ensemble member, drummer Gerard Canonico, bassist Chase Peacock, and Jared Stein, assistant musical director of the show, on piano. Chase Peacock and Brian Charles Johnson of American Idiot also performed as their two-piece rap band, Fran Sancisco, doing two songs, including “Roofie Girl,” which is basically a rap about getting girls high on roofies cause they can’t get them any other way.

I was quite impressed with Bennett’s sound and style, and as usual, impressed with the drumming of Gerard Canonico and Jared Stein on piano. I had never heard Chase Peacock play the bass, except for a few months ago at a Green Day Rock Band event, and I give him a thumbs-up as well. There was a cello player also, but unfortunately, I did not catch his name. Bennett’s style is soulful and his lyrics are touching. He’s quite earnest in his performance and music. It was the first time I had heard him play and I couldn’t really hear him speak from where I was sitting when he said the titles of songs, but his MySpace page contains at least one that he performed called “Blu Tack” that I really enjoyed. I look forward to hearing him perform again.

The night itself showcased several comedy acts and there were some laugh-out-loud performances, including one of the funniest performers I’ve seen in a while, Amy Albert. Her Delilah Dix character is a washed-up cabaret/movie star who likes to tell her tales of hanging out with the likes of David Hasselhoff and Paula Abdul, and she has a great cabaret voice and musical style. Check out her website for a clip of her act. I also enjoyed the host comedian, Billy Eichner, who tried to show his video, “Forest Hills State of Mind” based on Jay-Z’s “Empire State of Mind,” but the video just wasn’t cooperating. The full lineup of acts who performed can be found on the Ars Nova Showgasm site, located here.

Forest Hills State of Mind – Billy Eichner with Rachel Dratch and vocals by Amy Albert

Things I Wish I Could Have Heard

Lastly, there were three performances this week that I wish I could have gone too, but hell, you can’t do everything. Roger Waters performed “The Wall” this week in New York City and Social Distortion played with Lucero and Frank Turner at Roseland. On a smaller scale, an acquaintance of mine, Christian Gibbs (who played in the house band for Lizzie Borden: The Show) had a cd release party last night at the 92StY’s Tribeca space. His band is called Lucinda Black Bear and the album is called Knives, which is a follow-up to their first album, capo my heart. I love them. Check out the band at their site, located here.

That’s it for this week. I hope that I get to hear/see/do some stuff this week to report back to you!

Pinhead Gunpowder (Aaron) 2/12/10

Aaron pounding away at the drums and being fierce. Pinhead Gunpowder, 924 Gilman, 2/12/10. Photo by Ingrid Johansen from Albany, CA

Pinhead Gunpowder, Full Band Onstage, 924 Gilman, 2/12/10

Pinhead Gunpowder 2/12/10

Originally uploaded by ingridjohansen

Pinhead Gunpowder, Full Band, 924 Gilman. By Ingrid Johansen from Albany, CA

Pinhead Gunpowder – Show of a Lifetime – 924 Gilman, 2/12/10

I started writing this right after the Pinhead Gunpowder show happened on February 12, but a few things got in the way, including the death of my Uncle while I was still in California. So, I know it’s been a while, but enjoy nonetheless.

Pinhead Gunpowder. Photo by Michelle Lawlor, The Rock and Roll Picture Show - http://therocknrollpictureshow.com/?p=681

Update: 924Gilman posted the raw file of this show on 3/13/10. While the board levels are all over the place, nonetheless, the file reflects the rawness and intensity of the show. A great night. They also posted a great set of photographs from the stage. The link to those may be found here. The Green Day Community editorial regarding the show, written by J’net, can be found here. Michelle Lawlor’s blog post and pictures can be found here. Photographs from Lawlor may be purchased and all proceeds go to help Anandi Wonder with her cancer treatment. A gallery of photographs by me, mostly of attendees, can be found here.

A Show? There’s Going to Be a Show?

I had heard that there was going to be a super-secret benefit show by Pinhead Gunpowder at Gilman and I became obsessed (or as I like to say, focused) on the possibility of seeing a Green Day-related side project band in a small and intimate, show. My friend who introduced me to Billie Joe at Fake New Year’s in Los Angeles back in November keeps telling me that I heard it directly from Billie Joe himself that night because Billie Joe told him about it and I was standing there when he said it, but hell if I remember that happening. That night, all in all, is a bit of a blur.

After going to London in October to see Green Day at the O2 and then missing the Foxboro Hot Tubs by a bloody week, I became determined to head to my now favorite place on Earth, the East Bay, to see the band. PHGP is a band that I was only slightly aware of (shoot me) seven months ago and I wanted to see my friends in the Bay. As an extra bonus, the Mystic Knights of the Cobra (MKOTC) were playing at the Uptown at some point during the weekend, too. (I’ll be writing about that show in the next week.)

The rumor machine had PHGP playing on Saturday, February 13, 2010 at first, and MKOTC were rumored to open for them. However, it became evident that MKOTC weren’t going to open as they had been… Uh… banned from Gilman from the last time they played there. Then MKOTC booked a show at the Uptown for Saturday and were certainly not playing with PHGP and everyone’s attention somehow obsessed (focused) on the rumor that the benefit for Anandi Wonder, a friend of PHGP’s who was suffering from breast cancer, would happen on Friday, February 12, 2010, instead.

There had been some hard and fast talk saying that if news of the show came out too early and too furious, that the show would be canceled. I’m paranoid and pretty good at keeping a secret, but after a bit of sidestepping around the subject, a group of, shall we say… well-researched folks… from the Green Day Community somehow found themselves planning a weekend in the Bay.

I asked a friend to help me out (again) with a cheap buddy ticket on Continental, asked my friends in the Bay if I could stay with them, rented a car and prayed that nothing like a blizzard or anything would stop me from going. I had no cash, really, for any of this, and the cheap Continental ticket was a godsend that eventually turned into a nightmare.

Pinhead Gunpowder Crowd

And while everyone was busy keeping their mouths shut, Billie Joe himself, who is not known for keeping some things quiet, spilled the beans the night before the show on Twitter…

Having band practice with PHGP today! Can’t wait for friday night show! -Billie

… and greenday.com was geeky enough to actually twit about his Tweet. It always cracks me up when they do this.

Snowpacalypse 2010

There was one giant glitch in my crazy plans: Northeast winters and their ability to make things go a bit haywire. The week before the February 12th show, a storm caused major disruptions in transportation and life in the Maryland and DC areas and I literally thanked my lucky stars that it hadn’t reached NYC. Of course, I still had a week to leave the city so anything could happen, and yes, it did.

On Wednesday, February 10th, two days before the show, with people heading to the Bay from the East Coast on Thursday and Friday, a proclaimed “Snowpacalyse” poised itself to hit the East Coast again and this time, NYC was destined to be in the eye of a twenty-four hour storm. Just. Fucking. Peachy.

A few folks including me were slated to fly standby. Standby works only if the airline does not sell out seats and they end up distributing tickets to friends and workers for a nominal fee at the gate. And I mean, nominal. If a storm disrupted service for a few hours, we still had good chances of getting the cheap seats. Any longer than that, and we were screwed. Wednesday’s 24-hour storm busted the best of good intentions for people WITH tickets, let along dweebs like me catching a good deal.

Larry Livermore posted on his Facebook a declaration that the storm had better be a doozy, because he had just given up his spot on his flight after being told that he couldn’t get booked on any other flights. Read more on his story, which sums up a lot of my own feelings about the Snowpocalypse here.

Anyway, long story short, by the time my flight was suppose to leave the East Coast on Thursday, we had such a blanket of storm that my satellite teevee went out on Wednesday, which hardly ever happens. I had already changed my original Thursday flight to Friday in anticipation of the airline industry shutting down on Wednesday (announced on Tuesday), and I went into work on my vacation-day Thursday, hoping in vain that I would actually get on a Friday standby flight. I was, to say the least, freaking out.

Another person who lives down in Virginia was slated to leave on Thursday, but her flight out of Dulles was canceled, and another friend helped her rebook her ticket by way of multiple destinations. I could feel the entire weekend that I had looked forward to for so long becoming something that would not happen if I didn’t take action. So I did.

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