One of the things that I’ve enjoyed about my 21st Century Breakdown with Green Day has been meeting people in line along the way. When I traveled to London back in October to see Green Day perform for two nights at London’s O2 arena, I met tons of English and European fans, and one each from Australia, Brazil, and South Africa. Leigh Bucknall, lead singer and guitarist of the up-and-coming British band, “The Razorbax” is one among the multitude that I met. While we didn’t hang out for long, I’ll never forget him among the 20 or so other Idiots who spent the night at Sharon and Graham’s “Longview” estate in Kent, staying up late into the night eating, drinking and loudly singing Green Day songs. That’s the kind of ‘estate’ I like to be in!
Razorbax on Stage
The Razorbax hail from the English West Midlands area which surrounds the once mighty industrial engine of Great Britain, the rough and tumble city of Birmingham. Their musical sound combines British punk and rock (or punk ‘n roll as they call it) that flows through their anthem-like music. They note that their influences are The Clash, The Jam, and Stiff Little Fingers, with a touch of The Who’s rock sound and a nod to the Birmingham Brum of ska. The Razorbax come from an area with a long tradition of rock ‘n roll ranging from metal (Black Sabbath, Judas Priest), New Wave (Duran Duran) and ska (The Beat) and has a distinctly British sound. Their biggest influence though, is, you guessed it, Green Day. They’ve been listening to Green Day all of their lives and Leigh’s been known to wear the Flag T-Shirt of the Adeline Records logo and their bassist, James Kitchen, plays a Mike Dirnt Fender Bass (the one with the black star). The band’s name, Razorbax, can be found in the title of the Green Day song, “One for the Razorbacks” from 1992’s Kerplunk!
The guitars are fast but melodic and the drums and bass call out a steady beat for the head to bop to their rhythms. The Razorbax capture a young, English, working-class rage about their world, but with a sort of sweetness thrown in. Leigh’s voice is a bit… angelic with a rough edge around it… and when he sings out “Wake Up! Wake Up!” [LYRICS HERE] you kinda go, ok, I will! Their self-financed debut album, Something to Believe In, released on March 15, 2010, weaved its way onto independent charts in England when it came out. The band, which includes Bucknall on lead vocals, guitar, and piano, Kitchen on bass and vocals, Jack Perry on guitar and vocals, and Louis Bowen on drums and percussion, will be performing at the Luminaire Club in London on Friday, June 18th, 2010, as the headlining band for a benefit, “Punks Play for Autism.” They will also release their album title song, “Something to Believe In” with “A Better Place,” and proceeds from the show will benefit The Autism Trust in England. The Autism Trust was founded by a mother with an autistic child, Polly Tommey, and the organization’s mission is to “create a future with purpose for children and adults everywhere with autism. We aim to do this by developing an international network of innovative, high quality environments: Centres of Excellence in Autism.” Read more and get involved at their site here.
You can hear “A Better Place” and see the video, dedicated to the Autism Trust, below. For more information on the event itself, including tickets and venue, check out Nova-Caine.com. Opening bands include Sam Maloney, The Write-Offs, and SH!ftY SaRaH. You can’t beat it for £6.00 in advance, £8.00 on the door.
The Razorbax – “Better Place” – For the Autism Trust
The band is currently in the running for the semi-finals of Surface Unsigned, a British festival of competing unsigned bands across Europe. Winning bands get a record deal. If they make it through the next round on July 31st, then it’s off to the finals at the 02! Good luck, guys!
I was supposed to fly to London to see Green Day perform at Wembley Stadium on June 19 and see the Razorbax on June 18, but unfortunately, finances have gotten in the way of both and I won’t be able to make it. If you are in London on June 18, I highly recommend that you head on over to the Luminaire Club for a night of British punk ‘n roll. I am sad that I will be missing this show, I would really love to see the Razorbax live, but I hope all of you that have the chance to go to London for Green Day at Wembley will take some time out to support not only the Razorbax, but the Autism Trust, too.
Green Day Over Broadway. Photo by Gavin Boyd, Rolling Stone
Four dates in the life of the Broadway baby called American Idiot stand out for me since seeing the show in Berkeley back in September: The invited Press and Fan Final Soundcheck on 3/23/10, the first preview on 3/24/10, opening night on 4/20/10 and the MTV Special Viewing that occurred on 4/22/10. Since I live in NYC, I had the great fortune of attending all of these special events. This post is a roundup of some of the goings on with the show this past month here in NYC.
Press and Fan Final Soundcheck 3/23/10
An unprecedented invited Press and Fan Final Soundcheck was announced through the Idiot Club and the American Idiot on Broadway Facebook page a few days before the show was to begin its first Broadway preview. The soundcheck press conference occurred in the middle of the day and I made arrangements with work to take a long lunch to go. I attempted to get a blogger press pass and wrote a professional letter to the show’s press agent, and included the name of one of my friends, a top NYC theater critic, who recommended that I write to them. Unfortunately, I wasn’t afforded the courtesy of a reply. At least when I asked at Berkeley, they very kindly sent me an email saying no. I don’t want to sound bitter, but I know that both the production company and press agent for AI have come to this blog. Some sort of reply would have been nice, but I’m not legitimate enough for the courtesy of a reply in New York City. I even mentioned to them how I appeared in the Daily News regarding the show. In fact, several Facebook friends asked me “what I did for the show” and one of them, a television producer who I’ve known since acting school also asked me. And yet… well… whatever. No reply at all. At least a no is a response.
Putting aside all of that, the final soundcheck was a magnificent day. We waited outside for the Idiot interns to check us in, and they recognized me from the American IdiotOn Broadway Facebook page and said hello. After about an hour, I went across the street from the theater to wait for the band to show up to take pictures, and shortly thereafter, Green Day was driven up to the theater and deposited at the front doors. I managed to snap two shots of Billie Joe, Mike, and Tre coming into the theater. It was nice to see Mike for the first time with his blond hair, and Tre was carrying what seemed to be a drumstick case.
American Idiot Soundcheck Billie Joe and Tre, 3/23/10. Photo by Green Day Mind.
American Idiot Soundcheck Mike, 3/23/10. Photo by Green Day Mind.
After they moved into the theater, I went back across the street to wait with everyone, and eventually, the first fifty fans in line, who had been told that they were going to sit in the Orchestra seats, were let in first. About 10 minutes later, the remainder of the line was shepherded into the theater up to the Mezzanine. The folks who had been told that they were going to sit in the Orchestra were actually sitting in the Mezzanine with the rest of us. Official word was that there were too many people in the press corps in the Orchestra, and needless to say, the first fifty fans in line were disappointed. I have a feeling that they were afraid that people would try to rush the stage and attempt to get autographs from the band or cast, a very legitimate possibility.
We bitched and moaned with them for a few minutes, and then the lights started to go down and the sounds of the opening strains of the musical — news and television clips from the Iraq War era — began to play. The huge red velvet curtain slowly went up and the cast stood onstage with their backs toward the audience (a definite and effective change from the Berkeley show), all looking toward the 20 or so television screens embedded in Christine Jones’s excellent set design for the show. The guitar riff to “American Idiot” began, and the cast was off, singing the title song to the show.
American Idiot Sound - Tre Climbs in Bed, 3/23/10. Photo by Green Day Mind.
AI Cast Headbanging During "American Idiot" Soundcheck. Photo by Green Day Mind.
After the song, director Michael Mayer, Billie Joe Armstrong, Tre Cool, and Mike Dirnt walked onto the stage to loud claps from the crowd in the peanut gallery. Mayer spoke for a bit about the show and his inspiration and collaboration with Billie Joe on the book. Billie Joe spoke, then Mike, and Tre said something for a second. While Tre was talking, Mike and Billie climbed into the onstage bed prop, the cast piled on top of them, photo ops were had by all, and the event was over. I went back to work while the rest of the Green Day Community gang hung out and went to lunch. Green Day and the cast headed over to Sardi’s, a famous restaurant down the street from the St. James known for its Broadway clientele for more interviews with the “legitimate” press.
All in all (and despite my bitching), the press conference was a great way to start off the feverish run of American Idiot in New York City. The celebration lasted for a solid month and ended with a spectacular bang with good reviews, solid changes to the show, a special MTV showing with the band, hanging with old and new friends, and one of the best After Parties Ever — two appearances by the fabled Foxboro Hot Tubs (more on the latter in a later post).
APRED Clip of American Idiot Cast Singing “American Idiot” and Press Conference, 3/23/10
I didn’t intend to go to the first preview and hadn’t bought a ticket for that night. My first “official night” of seeing American Idiot was actually scheduled for 4/7/10, but a bunch of Idiots had traveled from around the country to come into New York to see the show, and one of them, sadly, couldn’t bring her friend as planned because of her friend’s cancer treatment. She had an extra ticket so I offered to give her some cash for it (which I still have to do), with the proceeds going toward her friend’s cancer fund. The show at this point was in the working stages from the move from Berkeley to Broadway, and they were working kinks out and adjusting to the larger set and staging of the show. I was quite impressed with the changes in the choreography, the storyline, and the passion that I felt from the cast. Over the course of time from the first Preview to Opening Night, I saw the show three times (3/24; 3/27 and 4/7) and noticed that there were several changes and reworkings during that time until Opening Night and the MTV Special Viewing. (All together, between Berkeley and Broadway, I’ve seen the show seven times.)
Green Day, of course, was there that night, and it was a three-ring circus! Their wives and kids were in the audience and just before the curtain went up, Billie Joe’s bodyguard (a nice guy who I’ve spoken with a few times who does an excellent job of crowd control and protecting Billie Joe) brought him down to sit next to Adrienne. They were so damned cute together, too. I didn’t stare too much, being the nonchalant New Yorker that I am, ahem, but of course, a stare or two couldn’t be helped during the show. There was a palpable excitement and nervousness in the air as the audience, clearly in the show’s corner for an exciting time, was bouncing up and down in their seats in anticipation.
After the show, the circus continued outside. I’m not a fan of getting autographs or photos with famous people, so I just hung around outside until I could find the contingent of folks I had come to the show with. The sidewalk outside of the St. James was packed with people, and many folks had to stand in the street just to let people pass through. Of course, those of us standing in the street kept getting yelled at by cops and security to get out of the street. I would move along, put a foot on the sidewalk, and then head back into the street while people crowded the sidewalk.
Billie and Adrienne and Rebecca Running to Sardi's after the first preview. Photo by Green Day Mind.
American Idiot First Preview After Show Madhouse, 3/23/10. Photo by Green Day Mind.
Eventually, the cast started to roll out of the theater on their way back to Sardi’s for the preview after party. They were asked for autographs (you can see Stark Sands, “Tunny” being mobbed in the photograph below), and after it calmed down a bit more, probably 30 minutes or so after the show when some of the crowd had dispersed (but not by much), Tre kind of quietly walked out a side door to the restaurant first, followed later by Billie Joe, Adrienne, Rebecca Naomi Jones (Whatsername), Mike and Mike’s wife, Brittany. My friends and I went down to Sardis and stood outside for a bit, watching Tre stand in the window of Sardi’s looking down at the crowd. Girls were screaming up a storm, and I’ve got a bad reputation for telling them to shut up (sorry, I just hate screaming girls or boys, my bad), so after awhile, I got tired of the spectacle and headed back down to the theater. Tony Vincent came out and we said hello to each other (we met at Berkeley and spoke online during the Berkeley run), and eventually, John Gallagher, Jr. came out of the theater, after most of the crowd had dispersed or were at Sardi’s. John knows me by name (probably because I drunkenly told him at Rockwood that he needed to bring more of the angst and also from talking with him at the Character Approved Awards a few months ago), so it kind of shocked me that he remembered my name.
John Gallagher, Jr. at Rockwood, 1/18/10. Photo by Green Day Mind.
When I first saw the show at Berkeley, I wasn’t impressed with his performance, but then again, I had major issues at the time with the entire show. My biggest concern was that during the Berkeley run when I saw it, I didn’t see the seriousness of the material coming from him nor did I feel the depth of the character. I also say that off-Broadway runs and previews are the time for steeped criticism, particularly in regards to something one feels passionately about, and I’m a jaded theater person from back in the day. If everything is perfect at the beginning, there is no room for improvement. And shows and performances can always be improved. John steadily won me over, as I was pulling for him, particularly after I saw him perform his own material at his residency at Rockwood on the Lower East Side this past January. He’s a heartfelt kid, super-sweet, and a talented dude who obviously is in love with this show and the band. Watching him grow into the role of Johnny has been a pleasure and I give him all the kudos in the world for a brilliant and successful run. And I hope he gets a Tony nomination as well. American Idiot is one of the most bone-breaking shows I’ve seen on Broadway. These kids, led by Gallagher, throw themselves around that stage, and every night Gallagher leads the way. I’m sure it’s not easy.
My Wall Signature.
Once John went inside the restaurant, things got pretty tame outside of the St. James, but people were still bat-shit screaming in front of Sardi’s. The kids outside couldn’t get into the bar at Sardi’s, but since my friends and I are of age, we hung out in the bar at Sardi’s and talked with the bartender who has worked at Sardi’s for years, a real old skool New York character. Outside some of the kids were yelling up to the 2nd floor window asking that Billie make an appearance and show them his tattoos. He did, and then one girl screamed for him to sign her arm for a tattoo when he left the bar and he mimed that he would.
At some point during the night, I went upstairs to the bathroom, where the after party was taking place, and walked right into Brittany Dirnt. I didn’t say anything to her. Heck, what are you going to say to someone in the bathroom? When I walked out, Mike was on the phone near the bathroom and Gallagher was hanging out talking with people. I went back downstairs and chatted for a bit longer. I left at 12:30, but the others stayed until 1:00. I guess I should have stayed for another 1/2 hour, but I had to work the next day. From what I understand, the cast and eventually Billie Joe came out of the party and Billie Joe asked for a “fucking” cigarette. (Yes, he does smoke on occasion, get over it.) My friend who had taken me to the Preview was just about to put a cigarette in her mouth and instead, she gave it to him. Bonus! LOL. Oh, and he did sign the girl’s arm, too.
American Idiot Opening at the Irish Rogue. Photo by Michael Gary.
What can I say about Opening Night? By this time, I had seen the show three times in New York, and I was ready to just sit back and enjoy what was about to happen. The opening was a star-studded event, with the likes of Whoopi Goldberg, Rosie O’Donnell, Michael J. Fox and Donald Fucking Trump… oh and a bunch of Idiots who are stars in my book. I didn’t see the Donald, and that was probably a good thing, but I did see the other three, and that was a good thing, too.
Green Day Bracelets in Front of the St. James, Opening Night. 4/20/10.
We Idiots met for dinner and a powwow at the Irish Rogue, having snacks and drinks. Carolyn had brought new Green Day Friendship bracelets to the theater, and she had an extra one and gave it to me. I already had one, but I took it anyway, in anticipation of seeing the show with Becky Walter (of the Facebook page Green Day LIVE on Tour) on 4/22/10. Becky was flying in from Minnesota to New York for the first time ever for the MTV Viewing on 4/22.
We walked down to the site as a group and got more excited as showtime came closer. Our seats were in the balcony and with the crowd, it took a bit of time to get up there. I wasn’t sitting with the Idiots from the restaurant, unfortunately, but I was anticipating meeting up with two special friends, Rachel and Michelle, who were sitting next to me. We three had shared some incredible moments out in Berkeley over the last few months, and Rachel was there to help manage the Mystic Knights of the Cobra tour that was starting the next day and Michelle is the spectacular photographer who took photographs of the Pinhead Gunpowder show back in February. She’s also the girlfriend of the bassist (Jim Graz) of Honah Lee, the accompanying band with the Cobras on their Party! Party! Party! Tour of the East Coast. The tour had been something I was hella looking forward to for months now, and I knew that when I saw them, that the REAL party was about to begin. More on that in a coming post.
The audience, if possible, was even MORE excited to see the show than on the first preview. Everyone was dressed to the nines and there were a few times when the audience shouted out lyrics to the songs with the cast, which was very exciting. I loved it.
After the show, we made our way downstairs and waited around for a little bit to say hello and goodbye to people. We were standing in the St. Jimmy Bar and as I was trying to walk into the area, my bag poked Ed Norton really hard in the ass. (Lucky bag.) He turned around and I apologized, and he smiled, and since I was looking hella good, he looked for a bit longer than usual. And I let him. Haha. And then I turned away and decided that the only thing I wanted to do was leave and hang out with Cobras and start the next phase of this wondrous opening week. So we hopped in a cab and went downtown.
The Real Party Begins. Hanging with the Cobras in the East Village, 4/20/10.
I did not go to the Opening Night Party, but the Green Day Community’s Katie McPansy Grogan won the American Idiot on Broadway Facebook contest. She had a fabulous time in NY, got to meet the band, interviewed Rebecca Naomi Jones, had excellent seats, and went to the After Party. I highly recommend visiting Katie’s Video Blogs of American Idiot on Broadway Opening.
A Shout Out to Nicole.
Lastly, a word of thanks to Nicole Gary. Nicole and I met on the Green Day Community and have been theater buddies in NYC since then. We were also in the Daily News photo shoot together back in March. She told me on opening night that she had attempted to get me a press pass for the After Opening Party festivities and had almost succeeded, but things didn’t work out. Thank you, Nicole, for believing in me and my blog, and for being a good buddy. I appreciate your friendship.
MTV Special Viewing, 4/22/10
J’net (an awesome moderator at the Green Day Community, thank you!) had bought us tickets to the 4/22/10 showing when tickets first went on sale. At the time, tickets weren’t on sale for Opening Night, so 4/22 was the next best thing going at the time (and it proved to be pretty amazing). I was hoping for something weird and special, as I had heard that weird and special things might happen on this night, so I was in weird and special mode. When tickets went on sale on 4/1/10 for Opening Night, I regretted my decision a bit to attend this performance. The Cobras and Honah Lee had played the night before at Arlene’s Grocery, and they were off to Asbury Park for a show at Asbury Lanes. Truthfully, I wanted to be with them as I don’t get to see them very often. But, we make our choices and I had to work on Friday anyway, and ok, shoot me, since all in all, I’ve been way lucky and it’s all good.
Minnesota Gal in NYC. Becky of Green Day LIVE on Tour Comes to NYC.
Things always work out best for those who love the Lushie Gods. Becky Walter, a friend of Niki Lee’s (Seize the Green Day), had won tickets to the MTV Special Viewing but was a bit panicked about making her first major trek from a small town in Minnesota to New York City. I had seats in the Mezzanine that night, but I told her that I would help her navigate through Manhattan and she gave me her second ticket. Niki, Dorie and I talked her through it and encouraged her to take the bull by the horns and conquer her fear of coming to NYC by herself. After all, we don’t bite… hard… here. We told her it was a once in a lifetime opportunity and she really wanted to come see the show, and having free tickets was half the battle since the ticket prices can be high. She flew in the day of the show, walked to my work to pick me up so that we could navigate down to the difficult to find Pop2Life offices for the tickets, and then whizzed uptown to meet folks at the Westway Diner for dinner. We proceeded to the venue a bit later and I gave her the Green Day Friendship bracelet that Carolyn had given me the day before. Our tickets were in the left Orchestra, not far from were I sat on the night of the first preview. Also, by Becky giving me the ticket, Andres from the Green Day Community was then able to share this special night with everyone by taking my original Mezzanine seat with J’net, Dawn, and Sherri. The Lushie Gods are good!
As the show was about to begin, Armstrong, Dirnt, and Cool family members walked in and filled the seats in the Center Orchestra. Billie Joe’s mom is the cutest thing ever, and she was beaming from ear to ear. Adrienne walked in with her and sat about two rows from us. As the curtain bells were ringing, The Edge from U2 entered and sat in the Center Orchestra not far from us, followed by Tre, Mike and Brittany, and finally, Billie Joe, who sat in the aisle seat next to Adrienne. Needless to say he caused a stir when he came in, but then the lights went down and the curtain went up.
Is this thing on? Green Day sings during American Idiot on Broadway. Photo by Green Day Mind.
It was kinda funny looking at him as an audience member. He was mesmerized by the show and his mouth was kinda hanging open in amazement the entire time, but something kept distracting him and he ran out of the theater twice during the performance, but came back in. Just as the show was ending, Green Day left the theater and a stage tech brought two mikes onstage. Afterward, the band took their rightful places onstage with their kids, the cast of American Idiot. Billie Joe had some issues with his guitar set-up for a minute, but they worked it out and he noted that it was “his first time on Broadway.” The crowd stood up as they came on and were treated to the “real” version of “American Idiot” and a great rendition of “Basket Case.” The month-long ride from Preview to Opening was complete, and this new baby called American Idiot was on Broadway.
Y’know what… I missed seeing them onstage
Green Day sings on Broadway, 4/22/10. Photo by Green Day Mind.
Green Day sings on Broadway During American Idiot, 4/22/10. Photo by Green Day Mind.
All in all, it has been a great ride with American Idiot, and I’m glad that the show is up and running and is good. It’s gotten exceptional reviews for the most part, and ticket sales are good. It’s fucking up Broadway, and in my book, that is always a good thing. I’ll write up something one day with my thoughts on the actual production, but really, just go and see it and make up your own mind is all that I can ultimately say.
I will say, though, that seeing Green Day back onstage made me realize how much I just wanted to see them perform again. The cast is great and the score is wonderful and kudos to everyone involved in the show, but Green Day is… well… Green Day. I silently offered supplications after the MTV Special Viewing, “please let the Foxboro Hot Tubs play a show this weekend, please let me get to see it.” Cause you know what? There is nothing like Billie Joe, Mike and Tre onstage together. And luckily, the Lushie Saints granted my wish. Twice. More on that in a later post.
And with that, faire thee well, American Idiot on Broadway. May you have a long life and prosper, may your actors stay healthy with no broken bones, and may you always Fuck Up Broadway.
After the break, stay tuned for ToniAnn and Fallyn on MTV being interviewed about the show and some additional links.
In these strange days of exploding volcanoes, political teabagging, and general everyday crappiness, sometimes the only thing you can do to get through it all is to take a party break. As someone who was very politically involved for the last 20 years, I have taken a 21st Century Breakdown Tour Party Break. As such, I readily offer myself as a volunteer for some epic and heroic PARTY duties during the coming week. I recommend heading down to your favorite city if you can as we are recruiting volunteers here in Party Central NYC and we need YOU!
MKOTC: Heroes Aren't Born - They Volunteer!
I have been looking forward to the week of April 19-24 ever since I heard that the Mystic Knights of the Cobra were going to be in town to rock out at four venues in New York and New Jersey: Arlene’s Grocery on the Lower East Side (4/21), Asbury Lanes in Asbury Park (4/22), Don Hill’s in Tribeca (4/23) and the Millhill Basement in good old Trenton (4/24).
I have also been looking forward to seeing American Idiot on 4/22, the day after its Broadway opening, since AI tickets first went on sale back in January or February. Tickets then unexpectedly went on sale on April Fool’s Day 2010 for American Idiot’s opening night (the Holy Lushotology Day of 4/20), and now I’ll be sitting in the balcony on my favorite band’s craziest night of their lives watching while their iconic 2004 album of the same name officially enters the pantheon of Old Broadway. There just might be a few loud audience “AMENS” coming from the balcony during “Holiday.”
Even though there are so many wonderful things happening this week, what I look forward to the most, though, is partying with old and new friends. Cause that’s what this week is going to ultimately be: Party! Party! Party! Sometimes, partying and enjoying good company is the only thing you can do in the face of so much that is wrong with the world. I hope to see you there. And if you can’t be here, party it up wherever you may be. After all, this week does have a Lushotology Holiday: 420 Day! Here’s to the week ahead!
Party! Party! Party! with the Mystic Knights of the Cobra and Honah Lee
HERE WE GO! HERE WE GO! HERE WE GOOOOOOooooOOOOO!!
I went out to the East Bay back in February and saw two great bands and two wild shows: Pinhead Gunpowder playing at 924 Gilman in Berkeley (see Youtube video of that show here) and the Mystic Knights of the Cobra playing at the Uptown in Oakland. (See Michelle Lawlor’s great photos from the Uptown show here.) It was my first time seeing either band live and though it may be my last time seeing the elusive Pinhead Gunpowder, I’m happy to report that there are not ONE, but FOUR opportunities coming up in April to see the Mystic Knights of the Cobra on their first NYC/NJ/East Coast tour. If you want a show with it all, magic acts, vaudeville and funked-out punk from the visceral gut, don’t miss the Cobra shows coming up in either NYC (Arlene’s Grocery, 4/21; Don Hill’s 4/23) or New Jersey (Asbury Lanes, 4/22 and Trenton, Mill Hill Basement, 4/24). Trenton-based band Honah Lee (“Frolicking in the autumn mist of a land called Honah Lee“) along with a few other bands (and special guests?) will be performing as well.
GO COBRAS GO!
It’s difficult to describe the Mystic Knights of the Cobra (aka, MKOTC or the Cobras). Are they funk punk? Party punk? Punk punk? Just punks? Their Facebook and MySpace pages list the following genres: Rock, Punk, Showtunes (!) and goes on to say: “Mixing punk, hard rock and old school with the occasional rap/break-beat or booty bass line, the Cobras are hard to put in any musical box.” Well, you got that right, don’t even try to put Baby Cobra in a box, she’ll kick your ass. The Cobras follow few musical rules except maybe those referenced in the song “Tranny Sex” from their 2009 album, There Is No End and spoken by the extreme punk, GG Allin from an appearance on the Geraldo Rivera Show:
“My body is a temple of rock ‘n’ roll, and my flesh and blood and body fluid are a communion to the people. I’m not out to please anybody … I’m trying to bring danger back to rock ‘n’ roll and there are no limits or laws, and I’ll break down every barrier from this time until the day I die…”
They don’t go as far as GG did (and that’s a good thing), but they do live in the same rock ‘n’ roll neighborhood, only, they have toilets in their part of town.
Hailing from Crockett, CA, MKOTC’s tribal members all share the same last name, Cobra (Baby Cobra, Lady Cobra, Crystal, Gyptron, Chinatown Meatloaf, Hotel Trell, Call Me Donny (RIP), Night Moves, Big Chief, Ghostown, College Prep, Call Me Donna, Lockdown, Cakes, Hot Lips, El Leche, Sexual, Alcatraz, Hey Puto, Cup Cake, Lu-Lu, Ki-Ki, Soda Pop, Hebrew National and Dirty Nasty the Filthy Gentleman) and while not all of them will be making their way to NYC, many of them will be coming East for the first time. The core band consists of singers Baby Cobra (Rachael) and Lady Cobra (Monica), guitarists Chinatown (Michael) and Ghosttown (Aaron), keyboardist Trell (just call him Trell), bassist Night Moves (Sean), trombonist Crystal and Gryptron (Joshua) on the drums.
I expect all of you jaded New Yorkers and New Jersians to get off of your asses, come party with MKOTC West Coast-style, and welcome them with a giant East Coast presence. It’s going to be a PARTY! PARTY! PARTY! that you will not want to miss.
Oh, and buy the band some drinks, too. They will love you long time if you do.
Go Cobras Go! - Mystic Knights of the Cobra at the Uptown, 2/13/10 - Photo by Michelle Lawlor
If they can keep their PBRs uncorked, er… corked, that is, the Mystic Knights of the Cobra will be appearing live tonight in the Oakland area on Pirate Cat Radio. You can find a link on their Facebook page with the announcement, or attempt to click here to listen live.
And if you are in the Crockett, CA area, check out the band for New Year’s Eve at Toot’s.